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Modernism : evolution of an idea / Sean Latham and Gayle Rogers.

By: Contributor(s): Material type: TextTextSeries: New modernisms series (Bloomsbury (Firm))Description: 266 pages : illustrations ; 23 cmISBN:
  • 9781472531247 (hardcover)
  • 1472531248 (hardcover)
  • 9781472523778 (paperback)
  • 1472523776 (paperback)
Subject(s): Additional physical formats: Electronic versions:: No titleDDC classification:
  • 809.9112 23 LAT
Online resources:
Contents:
Introduction: Is There a There There? -- 1. The Emergence of "Modernism" -- 2. Consolidation -- 3. Iron Filings -- 4. Networks.
Summary: Modernism: Evolution of an Idea traces the development of the term "modernism" from cultural debates in the early twentieth century to the dynamic contemporary field of modernist studies. Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as: the evolution of modernism from a pejorative term in intellectual arguments to its subsequent centrality to definitions of new art; new criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories; and shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more.
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Item type Current library Collection Call number Status Date due Barcode
Text Books Text Books CUTN Central Library Literature Non-fiction 809.911 LAT (Browse shelf(Opens below)) Available 26291

Includes bibliographical references (pages 233-260) and index.

Introduction: Is There a There There? -- 1. The Emergence of "Modernism" -- 2. Consolidation -- 3. Iron Filings -- 4. Networks.

Modernism: Evolution of an Idea traces the development of the term "modernism" from cultural debates in the early twentieth century to the dynamic contemporary field of modernist studies. Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as: the evolution of modernism from a pejorative term in intellectual arguments to its subsequent centrality to definitions of new art; new criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories; and shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more.

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