01718nam a22002297a 4500003000500000005001700005008004100022041001200063082002300075100002100098245003500119260005800154300002100212500044800233505062200681650002001303650001001323690001001333942001201343999001701355952011601372CUTN20251111112325.0251111b           ||||| |||| 00| 0 eng d  aEnglish  223a780.9548bSAM   aSambamoorthy, P.  aSouth Indian Music : bBook 3/  aChennai : bThe Indian Music Publishing House,c2019.  a472 p. :bill. ;  aIn the seventh edition, the theoreticai portions have been further enlarged. Model Appreciation essays on six kritis of Tyagaraja have been added at the end. Some more technical terms have been explained in Chapter XII.

 

Topics like Analytical and Synthetic portrayal of Ragas in musical compositions and the utility of Sutra gitas are additions to this edition.

 

The book has been carefully revised and brought up-to-date.6 Volume Book.  tI.

Raga

1

II.

The 72 Melakartas

32

III.

Janya Ragas : Computation

69

IV.

Raga Lakshana

79

V.

Ta1a

101

VI.

Musical Form

116

VII.

Musical Form (cond.)

185

VII.

Folk Music

225

IX.

Musica1 Instruments

247

X.

Sangita Mela- Orchestra

278

XI.

Musical Compositions (Lakshana gita and Tan varnas)

288

XII.

Technical Terms

308

XIII.

Description of Ragas

345

 

Appendix:

 

 

Arohana and Avarohana of Ragas

400

 

Questions

441

 

Musical Aphorism

445

 

Sutra Gitas

446

 

Model Appreciation Essays

447

 

Analytical and Synthetic portrayal of Ragas

469

aTable of Contents  aCarnatic music.  aRaga.  aMusic  2ddccRB  c46120d46120  00102ddc40708REFaCUTNbCUTNcREFd2025-11-11l0o780.9548 SAM p49228r2025-11-11 11:21:14w2025-11-11yRB