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  <titleInfo>
    <title>South Indian Music</title>
    <subTitle>Book 5</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Sambamoorthy, P.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">Chennai</placeTerm>
    </place>
    <publisher>The Indian Music Publishing House</publisher>
    <dateIssued>2019</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">Eng</languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">lis</languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">h</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>291p. : ill. ;</extent>
  </physicalDescription>
  <tableOfContents>Table of Contents I

Music and Mathematics

1

II

Early Experiments in Music

39

III

Survival of the useful and the beautiful in the realm of Music

55

IV

Origin of scales and ragas

69

V

Murchchanakaraka melas

84

VI

Murchchanakaraka Janya ragas

97

VII

Mela, Meta Paddhati and Mela

 

 

Nomenclature

101

VIII

A New scheme of 5184 Melakartas

111

IX

Musical laws, facts and phenomena

 

 

known to the Indian Musicologists

 

 

of ancient and medieval times

134

X

The evolution of Finger technique

 

 

in Indian Instrumental music

145

XI

Raga and Emotion

160

XII

Mudras in musical compositions

183

XIII

Music and Temples

211

XIV

Geographical factors and music

232

XV

Miscellaneous:

 

 

Plural sahityas for famous tunes and

 

 

plural tunes for famous sahityas

247

 

The influence of Music on Health

255

 

Melodic harmony

261

 

Brinda Gana - Its origin and development

265

 

Srutir mata ; Laya: pita

269

XVI

Raga Lakshana

273

 

Appendices I to V

280

 

Questions

289

 

</tableOfContents>
  <note>In the seventh edition, the theoreticai portions have been further enlarged. Model Appreciation essays on six kritis of Tyagaraja have been added at the end. Some more technical terms have been explained in Chapter XII.

 

Topics like Analytical and Synthetic portrayal of Ragas in musical compositions and the utility of Sutra gitas are additions to this edition.

 

The book has been carefully revised and brought up-to-date.6 Volume Book.</note>
  <subject>
    <topic>Carnatic music</topic>
  </subject>
  <subject>
    <topic>Raga</topic>
  </subject>
  <classification authority="ddc" edition="23">780.9548 SAM </classification>
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    <recordCreationDate encoding="marc">251111</recordCreationDate>
    <recordChangeDate encoding="iso8601">20251111113313.0</recordChangeDate>
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