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  <titleInfo>
    <title>Creative research methods for critical event studies</title>
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  <name type="personal">
    <namePart>Platt, Louise</namePart>
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  <name type="personal">
    <namePart>Finkel, Rebecca</namePart>
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  <name type="personal">
    <namePart>Sharp, Briony</namePart>
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    <namePart type="termsOfAddress">(Senior lecturer)</namePart>
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    <publisher>Routledge</publisher>
    <dateIssued>2025</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <language>
    <languageTerm authority="iso639-2b" type="code">Eng</languageTerm>
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  <language>
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  <physicalDescription>
    <extent>214 Pages ; 11 B/W Illustrations ;</extent>
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  <abstract>"This timely and innovative book offers an introduction to a range of creative methods, providing both empirical and conceptual guidance. This significant volume offers festival and event researchers and students a different approach to their work that could result in better research, reaching hidden and marginalised groups"--</abstract>
  <tableOfContents>1. Introduction 

Louise Platt, Rebecca Finkel and Briony Sharp

 

2. The Epistemology of Art: Critical Event Visual Analysis

Sandra Goh and Ian Yeoman

 

3. Multi-sited Research as a Creative Methodology for Critical Event Studies 

Zorica Sirocic

 

4. Throwing Out the Rule Book: A Creative Approach to Researching Events with Integrity 

Trudie Walters

 

5. Creatively Navigating Ethical Approval in Festival Research

Briony Whitaker and Jenna Pandeli

 

6. Embrace the Strange: Creativity within Festival Research

Kyla Tully

 

7. Exploring Postcards as an Accessible Creative Method

Lauren Bouvier

 

8. Postcards from the Future: Researching Audiences at Bad Ischl-Salzkammergut, European Capital of Culture 2024

Barbara Grabher

 

9. Making the Case for the Use of Informal Conversations as a Creative Method at Live Events

Leon Davis, Christopher J. Hayes and Alyssa Eve Brown

 

10. When Horror and Local Stories Meet the Archives: Participatory Events in the North of Ireland

Laura Aguiar and Bronagh McAtasney

 

11. Co-created research or co-created chaos? Handing the research reigns to local communities: Evaluating the social impact of the Tour de Yorkshire

Neil Ormerod

 

12. Action Research in Cross-Cultural Theatre Marketing: A Dual Role as Practitioner and Researcher

Fan Wu

 

13. The Creative is Critical: Critical Creative Methods for Post-Critical Event Studies 

Rita Grácio and Adalberto Fernandes</tableOfContents>
  <note type="statement of responsibility">Edited by Louise Platt, Rebecca Finkel and Briony Sharp.</note>
  <note>Access restricted to subscribing institutions.</note>
  <subject authority="lcsh">
    <topic>Special events</topic>
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    <topic>Research</topic>
    <topic>Methodology</topic>
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    <topic>Management</topic>
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  <classification authority="ddc" edition="23/eng/20241104">394.2</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Routledge critical event series</title>
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  <identifier type="isbn">9781032686424</identifier>
  <identifier type="isbn">1032686421</identifier>
  <identifier type="isbn">9781040268612</identifier>
  <identifier type="isbn">1040268617</identifier>
  <identifier type="isbn">9781040268575</identifier>
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