03353cam a22004818i 4500003000800000005001700008008004100025020001800066020001500084020001800099020001500117020001800132020001500150020001800165020001800183041001200201072002500213072001700238082002700255245011700282260003400399300004000433490003700473505145400510506005101964520033302015650001902348650001902367650002702386650001602413700001802429700002102447700001902468700003202487700001202519700001202531856009402543856002402637907001502661942001702676999001702693952016102710FlBoTFG20260708095931.0241104s2025    enk     ob    001 0 eng    a9781032686424  a1032686421  a9781040268612  a1040268617  a9781040268575  a1040268579  z9781032686417  z9781032686400  aEnglish 7aBUSx0810002bisacsh 7aKNSP2bicssc00a394.2223/eng/2024110400aCreative research methods for critical event studies /cEdited by Louise Platt, Rebecca Finkel and Briony Sharp.  aNew York :bRoutledge,c2025.  a214 Pages ;b11 B/W Illustrations ;0 aRoutledge critical event series.  t1. Introduction 

Louise Platt, Rebecca Finkel and Briony Sharp

 

2. The Epistemology of Art: Critical Event Visual Analysis

Sandra Goh and Ian Yeoman

 

3. Multi-sited Research as a Creative Methodology for Critical Event Studies 

Zorica Sirocic

 

4. Throwing Out the Rule Book: A Creative Approach to Researching Events with Integrity 

Trudie Walters

 

5. Creatively Navigating Ethical Approval in Festival Research

Briony Whitaker and Jenna Pandeli

 

6. Embrace the Strange: Creativity within Festival Research

Kyla Tully

 

7. Exploring Postcards as an Accessible Creative Method

Lauren Bouvier

 

8. Postcards from the Future: Researching Audiences at Bad Ischl-Salzkammergut, European Capital of Culture 2024

Barbara Grabher

 

9. Making the Case for the Use of Informal Conversations as a Creative Method at Live Events

Leon Davis, Christopher J. Hayes and Alyssa Eve Brown

 

10. When Horror and Local Stories Meet the Archives: Participatory Events in the North of Ireland

Laura Aguiar and Bronagh McAtasney

 

11. Co-created research or co-created chaos? Handing the research reigns to local communities: Evaluating the social impact of the Tour de Yorkshire

Neil Ormerod

 

12. Action Research in Cross-Cultural Theatre Marketing: A Dual Role as Practitioner and Researcher

Fan Wu

 

13. The Creative is Critical: Critical Creative Methods for Post-Critical Event Studies 

Rita Grácio and Adalberto Fernandes  aAccess restricted to subscribing institutions.  a"This timely and innovative book offers an introduction to a range of creative methods, providing both empirical and conceptual guidance. This significant volume offers festival and event researchers and students a different approach to their work that could result in better research, reaching hidden and marginalised groups"-- 0aSpecial events 0aSpecial events 0xResearchxMethodology. 0xManagement.1 aPlatt, Louise1 aFinkel, Rebecca,1 aSharp, Briony,1 c(Senior lecturer),eeditor.1 eeditor.1 eeditor.40uhttps://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/978103268642440zConnect to resource  a.b43618212  2ddccPROJECT  c54047d54047  00102ddc40708NFICaCUTNbCUTNc300d2026-07-08eICSSR Media Project Order date 12.05.2026l0o394.2 PLAp58693r2026-07-08 10:08:56w2026-07-08yPROJECT