000			01686nam a22002417a 4500
999			_c34077 _d34077
003			CUTN
005			20201230145918.0
008			201230b ||||| |||| 00| 0 eng d
020			_a9788178242354 (pbk)
041			_aEnglish
082			_222 _a780.954 _bBAK
100			_aBakhle, Janaki
245			_aTwo men and music : _bNationalism in the making of an Indian classical tradition/ _cJanaki Bakhle.
250			_a2nd impression.
260			_aOxford ; New York : _bOxford University Press, _c2012.
300			_axvi, 338p.: _c21.cm.
505			_t1. The prince and the musician : native states, bureaucracy, and colonial influence -- _t2. Music enters the public sphere : colonial writing, Marathi theatre, and music appreciation societies -- _t3. The contradictions of music's modernity : Vishnu Narayan Bhatkhande -- _t4.The certainty of music's modernity : Vishnu Digambar Paluskar -- _t5. Music in public and national conversation : conferences, institutions, and agendas, 1916-1928 -- _t6. The musician and Gharana modern : Abdul Karim Khan and Hirabai Badodekar -- _t7. Conclusion : a critical history of music : beyond nostalgia and celebration.
520			_aJanaki Bakhle shows how the emergence of an 'Indian' cultural tradition reflected colonial & exclusionary practices, in particular the exclusion of Muslims by the Brahmanic elite - despite the fact that Muslims were the major practitioners of the Indian music that was installed as a 'Hindu' national tradition.
650			_aBhatkhande, Vishnu Narayan, -- 1860-1936.
650			_aPaluskara, Vishṇu Digambara, -- 1872-1931.
650			_aMusic -- Social aspects -- India.
942			_2ddc _cBOOKS