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020			_a9781003103967 _q(electronic book)
020			_a9781032238616
020			_a1003103960 _q(electronic book)
020			_a9781000213164 _q(electronic book _qEPUB)
020			_a1000213161 _q(electronic book _qEPUB)
020			_a9781000211504 _q(electronic book _qelectronic book)
020			_a1000211509 _q(electronic book _qelectronic book)
020			_a9781000212273 _q(electronic book _qMobipocket)
020			_a1000212270 _q(electronic book _qMobipocket)
020			_z9781474271561
020			_z9781474271578
024	7		_a10.4324/9781003103967 _2doi
035			_a(OCoLC)1197637591
037			_a9781003103967 _bTaylor & Francis
040			_aTYFRS _beng _erda _epn _cTYFRS _dYDXIT _dSFB _dTYFRS _dOCLCF _dUKMGB _dOCLCQ _dOCLCO _dK6U _dOCLCQ _dDLC
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072		7	_aAB _2bicssc
082	0	4	_a770.820 _223 _bHUD
100	1		_aHudgins, Nicole, _eauthor.
245	1	4	_aThe gender of photography : _bhow masculine and feminine values shaped the history of nineteenth-century photography / _cNicole Hudgins.
250			_aFirst edition.
260			_aNY : _bRoutledge, _cc2020.
300			_a1 online resource (312 pages)
504			_aIncludes bibliographical references.
505	0		_aPhotography 1. What Was the Problem with Femininity? 2. "Masculine" Photography in the Nineteenth Century 3. Theatricality 4. Tactility 5. Softness 6. Hybridity Part Two: A Medium of Masculinity 7. From Gender Neutral to a Masculine Medium 8. Building a Republic of Photography 9. Establishing the Paternity of Photography 10. No Girls Allowed? 11. Feminine Silence 12. Defending Photography Part Three: Women in the Studio 13. Just Charming 14. Work for Women? 15. The Gender of Coloring 16. The Femininity of the Studio 17. Studios of Their Own.
520			_aIt would be unthinkable now to omit early female pioneers from any survey of photography's history in the Western world. Yet for many years the gendered language of American, British and French photographic literature made it appear that women's interactions with early photography did not count as significant contributions. Using French and English photo journals, cartoons, art criticism, novels, and early career guides aimed at women, this volume will show why and how early photographic clubs, journals, exhibitions, and studios insisted on masculine values and authority, and how Victorian women engaged with photography despite that dominant trend. Focusing on the period before 1890, when women were yet to develop the self-assurance that would lead to broader recognition of the value of their work, this study probes the mechanisms by which exclusion took place and explores how women practiced photography anyway, both as amateurs and professionals. Challenging the marginalization of women's work in the early history of photography, this is essential reading for students and scholars of photography, history and gender studies.
545	0		_aNicole Hudgins is Associate Professor in the Division of Legal, Ethical and Historical Studies at the University of Baltimore in Baltimore, Maryland. She is the author of Hold Still, Madame: Wartime Gender and the Photography of Women in France during the Great War (2014).
648		7	_a1800-1899 _2fast
650		0	_aPhotography _xHistory _y19th century.
650		0	_aWomen photographers _zFrance _xHistory _y19th century.
650		0	_aWomen photographers _zGreat Britain _xHistory _y19th century.
650		6	_aPhotographie _xHistoire _y19e si�ecle.
650		6	_aFemmes photographes _zFrance _xHistoire _y19e si�ecle.
650		6	_aFemmes photographes _zGrande-Bretagne _xHistoire _y19e si�ecle.
650		7	_aPHOTOGRAPHY _xHistory. _2bisacsh
650		7	_aHISTORY _xModern _y19th Century. _2bisacsh
650		7	_aPhotography. _2fast
650		7	_aSocial conditions. _2fast
650		7	_aWomen photographers. _2fast
651		0	_aFrance _xSocial conditions _y19th century.
651		0	_aGreat Britain _xSocial conditions _y19th century.
651		6	_aFrance _xConditions sociales _y19e si�ecle.
651		6	_aGrande-Bretagne _xConditions sociales _y19e si�ecle.
651		7	_aFrance. _2fast
651		7	_aGreat Britain. _2fast
655		7	_aHistory. _2fast
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942			_2ddc _cBOOKS
999			_c39226 _d39226