000			01914nam a22002297a 4500
003			CUTN
005			20231205150725.0
008			231205b |||||||| |||| 00| 0 eng d
020			_a9781138561977
041			_aEnglish
082			_223 _a801 _bLAG
100			_aLaga, Barry
245			_aUsing key passages to understand literature, Theory and criticism / _cBarry Laga
250			_a1st ed.
260			_aLondon : _bRoutledge, _c2019.
300			_avi, 255 p.: _c23 cm.
505			_a1 Becoming a subject; 2 Scripting identity; 3 Doing not describing; 4 Enjoying the carnivalesque; 5 Reading as writing; 6 Simulating the real; 7 Creating a space between; 8 Performing gender; 9 Locating trauma; 10 Intersecting identities; _t11 Locating alterity; 12 Poaching texts; 13 Cultivating rhizomes; 14 Reconciling double consciousness; 15 Shocking readers; 16 Joining power and knowledge; 17 Revealing the uncanny; 18 Questioning human/nonhuman boundaries 19 Historicizing and contextualizing 20 Signifying through time; _t21 Thinking ecologically; 22 Recognizing conceptual metaphors; 23 Representing disability; 24 Losing and recovering our sovereignty; 25 Resisting the dominant culture; 26 Adapting and appropriating; 27 Describing homosocial relationships; 28 Defamiliarizing the familiar; 29 Questioning gender binaries; 30 Building on another's work: identifying
520			_aUsing Key Passages to Understand Literature, Theory and Criticism is a completely fresh and innovative approach to teaching and learning literary theory: using short passages of theory to make sense of literary and cultural texts. It focuses on the key concepts that help readers understand literature and cultural events in new and provocative ways.
650			_aLiterature History and criticism Theory, etc
650			_aLiterature Theory, etc
942			_2ddc _cBOOKS
999			_c40729 _d40729