000			02381cam a2200337 a 4500
003			CUTN
005			20240910121145.0
008			000419s2000 enk b 001 0 eng
020			_a0415215226 (hbk)
020			_a9781032296470 (pbk.)
041			_aEnglish
042			_apcc
082	0	0	_a801.950 _221 _bROB
100	1		_aRoberts, Adam
100	1		_q(Adam Charles)
245	1	0	_aFredric Jameson / _cAdam Roberts.
260			_aLondon ; _aNew York : _bRoutledge, _c2000.
300			_ax, 164 p. ; _c21 cm.
440		0	_aRoutledge critical thinkers
504			_aIncludes bibliographical references (p. [159]-160) and index.
504			_a"Works by and on Frederic Jameson": p. [153]-160.
505			_tCover Page Title Page Copyright Page Series Editor’s Preface Acknowledgements Why Jameson? Key Ideas 1 Marxist Contexts 2 Jameson’s Marxisms Marxism and Form and Late Marxism 3 Freud and Lacan Towards The Political Unconscious 4 The Political Unconscious 5 Modernism and Utopia Fables of Aggression 6 Postmodernism, or the Cultural Logic of Late Capitalism 7 Jameson on Cinema Signatures of the Visible and The Geopolitical Aesthetic After Jameson Further Reading Works Cited
520			_aAn invaluable introduction to the life and work of one of today's most important cultural critics. Studied on most undergraduate literary and cultural studies courses, Fredric Jameson's writing targets subjects from architecture to science fiction, cinema to global capitalism. Of his works, The Political Unconscious remains one of the most widely cited Marxist literary-theoretical texts, and 'Postmodernism, or the cultural logic of late capitalism', is amongst the most influential statements on the nature of post-modernity ever published. Adam Roberts offers an `ngaging introduction to this crucial figure, which will convince any student of contemporary theory that Jameson must be read.
600	1	0	_aJameson, Fredric.
650		0	_aMarxist criticism.
856	4	2	_uhttp://www.loc.gov/catdir/enhancements/fy0650/00032212-d.html
856	4	2	_3Publisher description
906			_a7 _bcbc _corignew _d1 _eocip _f20 _gy-gencatlg
942			_2ddc _cBOOKS
999			_c43499 _d43499