000 02933nam a2200277 a 4500
003 CUTN
005 20240911152902.0
008 980708s1998 enkah 00 eng d
020 _a0582237106 (pbk)
020 _a9780367239343
041 _aEnglish
049 _lb
_m+
082 0 4 _a821.7
_221
_bLUC
245 0 0 _aWilliam Blake /
_cedited and introduced by John Lucas.
260 _aLondon :
_bLongman,
_c1998.
300 _aix,210p :
_bill, facsims ;
_c22cm.
440 0 _aLongman critical readers.
504 _aIncludes bibliographical references and index.
505 _tCover Half Title Title Page Copyright Page Table of Contents General Editors’ Preface Acknowledgements Dedication 1 Introduction ‘Mad’ Blake Marxist Criticism ‘History From The Bottom Up’: The New Historicism versus Romantic Idealism Blake and Art Criticism Feminism and Psychoanalytic Criticism Language Games and Deconstruction Reader-Response Theory 2 E. P. THOMPSON ‘The Divine Image’ 3 JOHN MEE Dangerous Enthusiasm 4 DAVID ERDMAN Infinite London 5 STEWART CREHAN Producers and Devourers 6 SUSAN MATTHEWS Jerusalem and Nationalism 7 JOHN BARRELL ‘Original’, ‘Character’ and ‘Individual’ 8 KATHLEEN RAINE A New Mode of Printing 9 BRENDA S. WEBSTER Blake, Women and Sexuality 10 GERDA S. NORVIG Female Subjectivity and the Desire of Reading in(to) Blake’s Book of Thel 11 MICHAEL SIMPSON Who Didn’t Kill Blake’s Fly: Moral Law and the Rule of Grammar in ‘Songs of Experience’ 12 MATT SIMPSON Blake’s Songs of Innocence and Experience Note on Authors Further Reading Index
520 _aThe collection of essays presented in this volume represents some of the best recent critical work on William Blake as poet, prophet, visual artist, and social and political critic of his time. The critical range that is represented includes examples of Marxist, New Historicist, Feminist and Psychoanalytical approaches to Blake. Taken together, the essays consider all areas and moments of Blake's career as poet, from the early lyrics to his later epic poems, and they have been chosen to reveal not only the range of Blake's concerns but also to alert the reader to the rich variety of contemporary criticism that is devoted to him. Although the majority of essays are devoted to Blake as poet, others consider his work as printmaker, illustrator, and visionary artist. However severely individual essays choose to judge him, ultimately all the contributions to this book affirm Blake as one of the great geniuses of English art and letters. William Blake provides a valuable introduction by one of Britain's foremost critics and will be welcomed by students wanting to familiarise themselves with the work of Blake.
600 1 4 _aBlake, William,
_d1757-1827
_xCriticism and interpretation.
700 1 _aLucas, John,
700 1 _d1937-
907 _a.b1709933x
942 _2ddc
_cBOOKS
999 _c43523
_d43523