000			03358cam a2200337 i 4500
003			CUTN
005			20241003124701.0
008			191125s2020 enka 000 0 eng
020			_a9781138915046
020			_a9781138915039
020			_z9781003026204
041			_aEnglish
042			_apcc
082	0	0	_a070.18 _223 _bBER
100	1		_aBernard, Sheila Curran,
100	1		_eauthor.
245	1	0	_aArchival storytelling : _ba filmmaker's guide to finding, using, and licensing third-party visuals and music / _cSheila Curran Bernard and Kenn Rabin.
250			_aSecond edition.
260			_aLondon : _bRoutledge, _c2020.
300			_aix, 341 pages : _billustrations ; _c23 cm
505			_tCover Praise Half Title Title Page Copyright Page Contents Acknowledgments Chapter 1 Introduction Part 1 About Archival Materials Chapter 2 Still and Motion Picture Photography: A Brief History Chapter 3 Recorded Sound: A Brief History Chapter 4 User Beware: Evaluating the Archival Record Chapter 5 Evidence on Film: A Conversation with Rick Prelinger Part 2 Working with Archival Materials Chapter 6 Finding What You Need Chapter 7 Should You Hire a Professional? Chapter 8 Organizing and Ordering Materials Chapter 9 Creative and Ethical Considerations Chapter 10 The Power of Eyewitness Accounts: A Conversation with Roberta Grossman Part 3 Rights and Licenses Chapter 11 Introduction to Rights and Licenses Chapter 12 Public Domain Chapter 13 Fair Use Chapter 14 Fair Dealing, Moral Rights, and More: A Conversation with Hubert Best Chapter 15 Licensing Visuals Chapter 16 Licensing Music Part 4 Additional Material Chapter 17 Afterword About the Authors Index Advertisement
520			_a"Fully revised and updated, Archival Storytelling is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you're a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials-images, audio, or music that you yourself did not create-to use them in your work. This book explains what's involved in researching and licensing visuals and music, and exactly what media makers needs to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us"--
650		0	_aDocumentary films
650		0	_aArchival materials.
650		0	_xProduction and direction.
700	1		_aRabin, Kenn,
700	1		_eauthor.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBOOKS
999			_c43680 _d43680