000			03689cam a22004338i 4500
003			CUTN
005			20241014105721.0
008			220106s2022 enk b 001 0 eng
020			_a9780367550585
020			_a9780367557560
020			_z9781003095019
041			_aEnglish
042			_apcc
082	0	0	_a621.382 _223/eng/20220316 _bDEW
245	0	4	_aThe networked image in post-digital culture / _cedited by Andrew Dewdney and Katrina Sluis.
260			_aAbingdon, Oxon : _bRoutledge, _c2023.
263			_a2206
300			_apages cm
504			_aIncludes bibliographical references and index.
505	2		_aThe politics of the networked image : representation and reproduction / Andrew Dewdney -- The networked image after Web 2.0 : Flickr and the 'real world' photography of the dataset / Katrina Sluis -- Post-capitalist photography / Ben Burbridge -- The computer vision lab : the epistemic configuration of machine vision / Nicolas Malevé -- Ways of machine seeing as a problem of invisual literacy / Geoff Cox -- Soft subjects : hybrid labour in media software / Alan Warburton -- The paradoxes of curating the networked image : aesthetic currents, flows and flaws / Gaia Tedone -- Internet liveness and the art museum / Ionna Zouli -- Screenshot situations : imaginary realities of networked images / Magda Tyżlik-Carver -- Networks of care / Annet Dekker -- Beyond the screenshot : interface design and data protocols in the net art archive / Lozana Rossenova.
520			_a"This collection approaches the task of accounting for the networked image from the perspective of cultural practitioners engaged in making, curating, teaching, exhibiting, archiving, and preserving born digital objects. The volume signals a passage of time, from the digital to networked image and a corresponding cultural shift from the digital to the post-digital. It seeks to make sense of specific cultural consequences of this rapid succession of technological changes and bring the story up to date. The outcome of ten years of ground-breaking research at The Centre for the Study of the Networked Image (CSNI) in London, it investigates radical changes in the meanings and values of hybridized media in socio-technical networks and speaks to the creeping automation of culture through applications of AI, social media platforms and the financialization of data. It raises critical questions about the Internet's relationship to computational capitalism and its new forms of digital labour. Contributions cross the disciplines of media and cultural studies, art history, art practice, photographic theory, User design, animation, museology, and computer science. Using research-based practices at the forefront of determining how cultural value is communicated and shared in online cultures - the book will appeal to anyone interested and engaged in critical practice"--
650		0	_aMultimedia communications
650		0	_aDigital images
650		0	_aDigital media
650		0	_aPopular culture.
650		0	_aMass media and the arts.
650		0	_xSocial aspects.
650		0	_xSocial aspects.
650		0	_xPhilosophy.
700	1		_aDewdney, Andrew,
700	1		_aSluis, Katrina,
700	1		_eeditor.
700	1		_eeditor.
710	2		_aLondon South Bank University. _bCentre for the Study of the Networked Image, _esponsoring body.
776	0	8	_iOnline version: _tNetworked image in post-digital culture. _dAbingdon, Oxon ; New York, NY : Routledge, [2022] _z9781003095019 _w(DLC) 2021061840
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBOOKS
999			_c43743 _d43743