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003			CUTN
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008			250609b |||||||| |||| 00| 0 eng d
020			_a9789387826724
041			_aEnglish
082			_a891.733 _bFYO
100			_aDostoevsky Fyodor
245			_aCrime and Punishment / _cFyodor Dostoevsky
260			_aIndia : _bMaven Books , _c2022.
300			_a533p. : _bill ;
505			_aPart I: Introduction of Raskolnikov, his poverty, and his theoretical justification for murder. His meticulous planning of the murder of the pawnbroker. The actual brutal murders of Alyona Ivanovna and Lizaveta. Raskolnikov's initial shock and frantic attempts to hide evidence. Part II: The immediate aftermath of the crime: Raskolnikov's feverish state, paranoia, and psychological torment. Introduction of secondary characters: Marmeladov (Sonya's alcoholic father), Razumikhin (Raskolnikov's friend). Raskolnikov's increasing isolation and erratic behavior. First encounters with the police, particularly Porfiry Petrovich, setting up the psychological duel. Part III: Raskolnikov's continued mental and physical decline. His sister Dunya and mother Pulcheria Alexandrovna arrive in St. Petersburg. The introduction of Luzhin, Dunya's pompous and opportunistic fiancé, whom Raskolnikov despises. Further interactions with Porfiry, characterized by subtle psychological probing and Raskolnikov's agitated responses. Part IV: The breakdown of Dunya's engagement to Luzhin. Raskolnikov's growing connection with Sonya, seeing her as a fellow "sinner" (due to her prostitution) and someone who understands suffering. Raskolnikov's semi-confession to Sonya, revealing his inner turmoil, though not yet the full truth of his crime. Introduction of Svidrigailov, a morally corrupt figure, who begins to parallel and contrast Raskolnikov's philosophical ideas. Part V: Luzhin's attempt to frame Sonya, revealing his despicable character. Sonya's unwavering faith and her reading of the story of Lazarus to Raskolnikov, symbolizing resurrection. Raskolnikov's full confession to Sonya. Svidrigailov's dark influence and his own desperate actions. Part VI: The psychological climax of the novel. Porfiry Petrovich's direct confrontation with Raskolnikov, revealing his certainty of Raskolnikov's guilt and urging him to confess for a lighter sentence. Svidrigailov's unraveling and eventual suicide, demonstrating the ultimate consequence of nihilism without redemption. Raskolnikov's tormented decision to confess, partly influenced by Sonya and partly by the unbearable burden of his secret. Epilogue: Raskolnikov's trial, conviction, and sentencing to hard labor in Siberia. Sonya's decision to follow him to Siberia, becoming his steadfast companion. Raskolnikov's continued resistance to true repentance, even amidst the suffering of the labor camp. The slow, arduous process of his spiritual regeneration and the beginning of his true understanding of love and faith, largely through Sonya's example.
520			_aThe novel follows Rodion Raskolnikov, an impoverished and alienated former law student living in St. Petersburg, Russia. Driven by a nihilistic philosophy that categorizes people into "ordinary" and "extraordinary" individuals, he theorizes that certain "extraordinary" men (like Napoleon) have the right, even the duty, to transgress moral laws if it serves a higher purpose. To test this theory and perhaps escape his dire poverty, Raskolnikov meticulously plans and commits the murder of a callous old pawnbroker, Alyona Ivanovna, and inadvertently, her innocent half-sister, Lizaveta. However, the "punishment" in the title refers less to the legal consequences (though those come) and more to the intense psychological and spiritual torment that immediately consumes Raskolnikov. He is plagued by overwhelming guilt, paranoia, feverish delirium, and profound isolation. His carefully constructed intellectual justifications crumble under the weight of his conscience.
650			_aRussian literature
650			_aCrime — Psychological aspects — Fiction
942			_2ddc _cBOOKS
999			_c44669 _d44669