000			01718nam a22002177a 4500
003			CUTN
005			20251111112325.0
008			251111b ||||| |||| 00| 0 eng d
041			_aEnglish
082			_223 _a780.9548 _bSAM
100			_aSambamoorthy, P.
245			_aSouth Indian Music : _bBook 3/
260			_aChennai : _bThe Indian Music Publishing House, _c2019.
300			_a472 p. : _bill. ;
500			_aIn the seventh edition, the theoreticai portions have been further enlarged. Model Appreciation essays on six kritis of Tyagaraja have been added at the end. Some more technical terms have been explained in Chapter XII. Topics like Analytical and Synthetic portrayal of Ragas in musical compositions and the utility of Sutra gitas are additions to this edition. The book has been carefully revised and brought up-to-date.6 Volume Book.
505			_tI. Raga 1 II. The 72 Melakartas 32 III. Janya Ragas : Computation 69 IV. Raga Lakshana 79 V. Ta1a 101 VI. Musical Form 116 VII. Musical Form (cond.) 185 VII. Folk Music 225 IX. Musica1 Instruments 247 X. Sangita Mela- Orchestra 278 XI. Musical Compositions (Lakshana gita and Tan varnas) 288 XII. Technical Terms 308 XIII. Description of Ragas 345 Appendix: Arohana and Avarohana of Ragas 400 Questions 441 Musical Aphorism 445 Sutra Gitas 446 Model Appreciation Essays 447 Analytical and Synthetic portrayal of Ragas 469 _aTable of Contents
650			_aCarnatic music.
650			_aRaga.
690			_aMusic
942			_2ddc _cRB
999			_c46120 _d46120