000			02192nam a22002177a 4500
003			CUTN
005			20251111113313.0
008			251111b ||||| |||| 00| 0 eng d
041			_aEnglish
082			_223 _a780.9548 _bSAM
100			_aSambamoorthy, P.
245			_aSouth Indian Music : _bBook 5/
260			_aChennai : _bThe Indian Music Publishing House, _c2019.
300			_a291p. : _bill. ;
500			_aIn the seventh edition, the theoreticai portions have been further enlarged. Model Appreciation essays on six kritis of Tyagaraja have been added at the end. Some more technical terms have been explained in Chapter XII. Topics like Analytical and Synthetic portrayal of Ragas in musical compositions and the utility of Sutra gitas are additions to this edition. The book has been carefully revised and brought up-to-date.6 Volume Book.
505			_tTable of Contents _aI Music and Mathematics 1 II Early Experiments in Music 39 III Survival of the useful and the beautiful in the realm of Music 55 IV Origin of scales and ragas 69 V Murchchanakaraka melas 84 VI Murchchanakaraka Janya ragas 97 VII Mela, Meta Paddhati and Mela Nomenclature 101 VIII A New scheme of 5184 Melakartas 111 IX Musical laws, facts and phenomena known to the Indian Musicologists of ancient and medieval times 134 X The evolution of Finger technique in Indian Instrumental music 145 XI Raga and Emotion 160 XII Mudras in musical compositions 183 XIII Music and Temples 211 XIV Geographical factors and music 232 XV Miscellaneous: Plural sahityas for famous tunes and plural tunes for famous sahityas 247 The influence of Music on Health 255 Melodic harmony 261 Brinda Gana - Its origin and development 265 Srutir mata ; Laya: pita 269 XVI Raga Lakshana 273 Appendices I to V 280 Questions 289
650			_aCarnatic music.
650			_aRaga.
690			_aMusic
942			_2ddc _cRB
999			_c46121 _d46121