000			03108nam a22002177a 4500
003			CUTN
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008			251111b ||||| |||| 00| 0 eng d
041			_aEnglish
082			_223 _a780.9548 _bSAM
100			_aSambamoorthy, P.
245			_aSouth Indian Music : _bBook 6/
260			_aChennai : _bThe Indian Music Publishing House, _c2019.
300			_a312 p. : _bill. ;
500			_aPreface This is the Concluding volume in the series of books planned for the; exposition of the Theory of South Indian Music in all its comprehensive aspects. South Indian music can stand on a par with western music in having an intelligent and well-developed system of musicology and which can be studied at the highest levels. Some of the topics dealt with in this book appeared originally as articles contributed by the author to various journals. They have since been amplified and re- written in the light of subsequent researches and presented here. Matter treated of in Chapters V (Indian music and Western Music - some parallels) and Chapter XIV (Music in Europe and other countries) are more of interest from the point of view of Comparative music. Twenty pallavis inclusive of well known pallavis and scholarly pallavis art: given with notation in Chapter XIX. This along with the fifty pallavis given in South Indian music: Book IV brings the total number of pallavis given in notation in this Series to 70. Lakshanas of 28 ragas are given in Chapter XVIII and in Appendix II. This brings the total number of ragas described in the several books of the Author to 134.
505			_tTable of Contents _aI Nomenclatures in Indian Music 1 II Musical Facts 9 III Facts relating to Ragas 21 IV Music and: Religion 21 V Indian music and Western music-Some parallel concepts 34 VI Vestiges of Indian music in the Music of the Neighbouring countries 41 VII Modern Institutions for the Preservation and Development of Music and Dance 46 VIII Influences of Hindusthani Music on Karnatic music IX Recent advances in the realm of Musicology. Repertoire, Musical Instruments and Research 55 X Kuravanji Natakas 72 XI Music of the Ancient Tamils 85 XIII Folk music and Classical music 106 XIII Consonance 113 XIV Music in Europe and other Countries 120 XV Ragas mentioned in Ancient and Medieval works 141 XVI Ragas mentioned in Modern Works 179 XVII Some Acoastic Marvels 141 XVIII Raza Lakshana 179 A note on svara sancharas in vakra ragas 187 XIX Pallavis 192 XX Rain producing Music 230 XXI Mysore as a seat or Music 234 XXII Honours bestowed on Musicians and ... 246 Dancers in the Past and Present 253 XXIII Music as a factor in promoting 262 World harmony 275 Appendix I Indian Dance 279 Appendix II Raga lakshana (cont.) 305
650			_aCarnatic music.
650			_aRaga.
690			_aMusic
942			_2ddc _cRB
999			_c46122 _d46122