| 000 | 03253cam a22004698i 4500 | ||
|---|---|---|---|
| 003 | FlBoTFG | ||
| 005 | 20260708095931.0 | ||
| 008 | 241104s2025 enk ob 001 0 eng | ||
| 020 | _a9781032686424 | ||
| 020 | _a1032686421 | ||
| 020 | _a9781040268612 | ||
| 020 | _a1040268617 | ||
| 020 | _a9781040268575 | ||
| 020 | _a1040268579 | ||
| 020 | _z9781032686417 | ||
| 020 | _z9781032686400 | ||
| 041 | _aEnglish | ||
| 072 | 7 |
_aBUS _x081000 _2bisacsh |
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| 072 | 7 |
_aKNSP _2bicssc |
|
| 082 | 0 | 0 |
_a394.2 _223/eng/20241104 |
| 245 | 0 | 0 |
_aCreative research methods for critical event studies / _cEdited by Louise Platt, Rebecca Finkel and Briony Sharp. |
| 260 |
_aNew York : _bRoutledge, _c2025. |
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| 300 |
_a214 Pages ; _b11 B/W Illustrations ; |
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| 490 | 0 | _aRoutledge critical event series. | |
| 505 | _t1. Introduction Louise Platt, Rebecca Finkel and Briony Sharp 2. The Epistemology of Art: Critical Event Visual Analysis Sandra Goh and Ian Yeoman 3. Multi-sited Research as a Creative Methodology for Critical Event Studies Zorica Sirocic 4. Throwing Out the Rule Book: A Creative Approach to Researching Events with Integrity Trudie Walters 5. Creatively Navigating Ethical Approval in Festival Research Briony Whitaker and Jenna Pandeli 6. Embrace the Strange: Creativity within Festival Research Kyla Tully 7. Exploring Postcards as an Accessible Creative Method Lauren Bouvier 8. Postcards from the Future: Researching Audiences at Bad Ischl-Salzkammergut, European Capital of Culture 2024 Barbara Grabher 9. Making the Case for the Use of Informal Conversations as a Creative Method at Live Events Leon Davis, Christopher J. Hayes and Alyssa Eve Brown 10. When Horror and Local Stories Meet the Archives: Participatory Events in the North of Ireland Laura Aguiar and Bronagh McAtasney 11. Co-created research or co-created chaos? Handing the research reigns to local communities: Evaluating the social impact of the Tour de Yorkshire Neil Ormerod 12. Action Research in Cross-Cultural Theatre Marketing: A Dual Role as Practitioner and Researcher Fan Wu 13. The Creative is Critical: Critical Creative Methods for Post-Critical Event Studies Rita GrĂ¡cio and Adalberto Fernandes | ||
| 506 | _aAccess restricted to subscribing institutions. | ||
| 520 | _a"This timely and innovative book offers an introduction to a range of creative methods, providing both empirical and conceptual guidance. This significant volume offers festival and event researchers and students a different approach to their work that could result in better research, reaching hidden and marginalised groups"-- | ||
| 650 | 0 | _aSpecial events | |
| 650 | 0 | _aSpecial events | |
| 650 | 0 |
_xResearch _xMethodology. |
|
| 650 | 0 | _xManagement. | |
| 700 | 1 | _aPlatt, Louise | |
| 700 | 1 | _aFinkel, Rebecca, | |
| 700 | 1 | _aSharp, Briony, | |
| 700 | 1 |
_c(Senior lecturer), _eeditor. |
|
| 700 | 1 | _eeditor. | |
| 700 | 1 | _eeditor. | |
| 856 | 4 | 0 | _uhttps://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9781032686424 |
| 856 | 4 | 0 | _zConnect to resource |
| 907 | _a.b43618212 | ||
| 942 |
_2ddc _cPROJECT |
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| 999 |
_c54047 _d54047 |
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