000			01488nam a22002774a 4500
001			9658
003			CUTN
005			20130621110412.0
008			s2001 enka b 0 eng
010			_a00040328
020			_a9780521783507
040			_aDLC _cDLC _dDLC _dOrLoB-B _dNUSCL
043			_ae-fr--- _an-us---
050	0	0	_aN6848.5.M63 _bC66 2001
090			_aN6848.5 _bMod.Co
100	1		_aCone, Mich�ele C., _d1932- _zCON
245	1	0	_aFrench modernisms : _bperspectives on art before, during, and after Vichy / _cMich�ele C. Cone.
260			_aCambridge ; _aNew York : _bCambridge University Press, _c2001.
300			_axi, 220 p. : _bill. ; _c27 cm.
504			_aIncludes bibliographical references and index.
520	1		_a"French Modernisms: Perspectives on Art Before, During, and After Vichy examines the period 1937 to 1968 by looking at the margins of official art history. The author focuses on underreported exhibitions of modern French art, typical visual artifacts, aberrant art criticism (Fascist or Vichy-inspired but also anti-establishment). Her Benjaminian approach uncovers surprising continuities in the French attitude toward the "other": a hybrid of anti-foreigner, anti-Semitic, anti-American protectionism, and little resistance to cultural narcissism."--BOOK JACKET.
650		0	_aModernism (Art) _zFrance.
650		0	_aArt _xPolitical aspects _zFrance _xHistory _y20th century.
650		0	_aArt, French _xAmerican influences.
942			_2ddc _cBOOKS
999			_c6323 _d6323