Visual Communication Design : (Record no. 43950)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03083nam a22002177a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | CUTN |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250122105544.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250122b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781474221573 |
| 041 ## - LANGUAGE CODE | |
| Language | English |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 745.4 |
| Item number | DAV |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Davis, Meredith |
| 245 ## - TITLE STATEMENT | |
| Title | Visual Communication Design : |
| Remainder of title | An Introduction to Design Concepts in Everyday Experience / |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | London : |
| Name of publisher, distributor, etc | Bloomsbury Visual Arts, |
| Date of publication, distribution, etc | 2017. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 208 pages : |
| Other physical details | ill.; |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Title | Foreword<br/><br/>CHAPTER 1 – The importance of form<br/>The relationship between form and context: Goodness of fit<br/>Form and meaning<br/>A little bit of history: Twentieth-century attitudes toward “good form”<br/>New practices: The changing context for contemporary design<br/>The shift in attention from artifact to experience<br/>How this book is organized<br/><br/>CHAPTER 2 – Getting attention<br/>Introduction<br/>Contrast<br/>Figure-Ground<br/>Camouflage<br/>Color<br/>Size constancy<br/>Scale<br/>Proportion<br/>Proximity<br/>Focus<br/>Layering<br/>Symmetry/Asymmetry<br/>Closure<br/>Continuity<br/>Series and Sequences<br/>Pattern<br/>Rhythm and Pacing<br/>Motion<br/>Summary<br/><br/>CHAPTER 3 – Orienting for use and interpretive behavior<br/>Introduction<br/>Affordances<br/>Channel<br/>Medium and Format<br/>Feedback<br/>Wayfinding<br/>Mapping<br/>Hierarchy<br/>Reading Pattern<br/>Grouping<br/>Edge Relationships<br/>Direction<br/>Point of View<br/>Summary<br/><br/>CHAPTER 4 – Interpreting, interacting, and experiencing<br/>Introduction<br/>Legibility and Readability<br/>Denotation and Connotation<br/>Framing<br/>Abstraction<br/>Icon, Index, and Symbol<br/>Materiality<br/>Substitution<br/>Metaphor<br/>Parallel Form<br/>Appropriation<br/>Ambiguity<br/>Cognitive Dissonance<br/>Summary<br/><br/>CHAPTER 5 – Extending and retaining meaning<br/>Introduction<br/>Schemas and Stereotypes<br/>Narrative<br/>Archetypes<br/>Mnemonics<br/>Chunking<br/>Redundancy<br/>Graphic Identity<br/>Branding<br/>Summary<br/><br/><br/>CONCLUSION<br/><br/>Bibliography<br/>Index |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | Where do design principles come from? Are they abstract "rules" established by professionals or do they have roots in human experience? And if we encounter these visual phenomena in our everyday lives, how do designers use them to attract our attention, orient our behavior, and create compelling and memorable communication that stands out among the thousands of messages we confront each day? Today's work in visual communication design shifts emphasis from simply designing objects to designing experiences; to crafting form that acknowledges cognitive and cultural influences on interpretation.<br/><br/>In response, Meredith Davis and Jamer Hunt provide a new slant on design basics from the perspective of audiences and users. Chapters break down our interactions with communication as a sequence of meaningful episodes, each with related visual concepts that shape the interpretive experience. Explanatory illustrations and professional design examples support definitions of visual concepts and discussions of context. Work spans print, screen, and environmental applications from around the world. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Visual Communication; Design Concepts; User Experience |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Hunt, Jamer |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Dewey Decimal Classification |
| Koha item type | Community College |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Home library | Location | Date of Cataloging | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Non-fiction | CUTN Central Library | CUTN Central Library | 22/01/2025 | 745.4 DAV | 52126 | 22/01/2025 | 22/01/2025 | Community College |
