000 -LEADER |
fixed length control field |
03416nam a22003497a 4500 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
CUTN |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20201228122103.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
201228b ||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780198712947 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780198807193 (pb) |
041 ## - LANGUAGE CODE |
Language |
English |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
821.309353 |
Edition number |
23 |
Item number |
MOS |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Moshenska, Joe, |
245 10 - TITLE STATEMENT |
Title |
Feeling pleasures : |
Remainder of title |
the sense of touch in Renaissance England / |
Statement of responsibility, etc |
Joe Moshenska. |
250 ## - EDITION STATEMENT |
Edition statement |
1st ed. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
Oxford : |
Name of publisher, distributor, etc |
Oxford University Press, |
Date of publication, distribution, etc |
2017. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
x, 389 pages : |
Other physical details |
illustrations (black and white) ; |
Dimensions |
24 cm. |
500 ## - GENERAL NOTE |
General note |
Paperback reprint. Originally published: 2014. |
505 ## - FORMATTED CONTENTS NOTE |
Title |
1. Introduction: Touching the past --<br/> |
-- |
2. 'A sensible touching, feeling and groping': metaphor and sensory experience in the English reformation --<br/> |
-- |
3. 'The lightest and the largest term': Lancelot Andrewes and the variousness of touch --<br/> |
-- |
4. 'Attactu Nullo': touching the Gods, from Lucretius to Shakespeare --<br/> |
-- |
5. 'Feeling pleasures': allegory and intimacy in The faerie queene --<br/> |
-- |
6. Touching the beautiful: the feeling of artworks in the European Renaissance --<br/> |
-- |
7. 'A sorrow, soft and agreeable': philosophies of tickling --<br/> |
-- |
8. 'Everywhere environ'd, and incessantly touch'd': natural philosophies of feeling in seventeenth-century England --<br/> |
-- |
9. 'Transported touch': the experience of feeling in Paradise lost --<br/> |
-- |
10. 'Like rain falling on sand or hair dip'd in water': metaphor and the Chinese art of feeling -- |
520 ## - SUMMARY, ETC. |
Summary, etc |
<br/>The sense of touch had a deeply uncertain status in the sixteenth and seventeenth centuries. It had long been seen as the most certain and reliable of the senses, and also as biologically necessary: each of the other senses could be relinquished, but to lose touch was to lose life itself. Alternatively, touch was seen as dangerously bodily, and too fully involved in sensual and sexual pleasures, to be of true worth. This book argues that this tension came to the fore during the English Renaissance, and allowed some of the central debates of this period-surrounding the nature of human experience, of the material world, and of the relationship between the human and the divine-to proceed through discussions of touch. It also argues that the unstable status of touch was of particular import to the poetry of this period. By bringing touch to the fore in a period usually associated with the dominance of vision and optics, Joe Moshenska offers reconsiderations of major English poets, especially Edmund Spenser and John Milton, while exploring a range of spheres in which touch assumed new significance. These include theological debates surrounding relics and the Eucharist in the work of Erasmus, Thomas Cranmer and Lancelot Andrewes; the philosophical history of tickling; the touching of paintings and sculptures in a European context; faith healing and experimental science; and the early reception of Chinese medicine in England. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
English poetry |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Touch in literature. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
General Books |
100 1# - MAIN ENTRY--PERSONAL NAME |
Dates associated with a name |
1983- |
Relator term |
author. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references and index. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Chronological subdivision |
16th century |
General subdivision |
History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Chronological subdivision |
17th century |
General subdivision |
History and criticism. |