From the Tanjore court to the Madras Music Academy : (Record no. 34139)
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000 -LEADER | |
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fixed length control field | 02060nam a22002417a 4500 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | CUTN |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20210111120052.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 210111b ||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9780198071907 (pbk) |
041 ## - LANGUAGE CODE | |
Language | English |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Edition number | 22 |
Classification number | 780.9548 |
Item number | SUB |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Subramanian, Lakshmi. |
245 ## - TITLE STATEMENT | |
Title | From the Tanjore court to the Madras Music Academy : |
Remainder of title | A social history of music in South India/ |
Statement of responsibility, etc | Lakshmi Subramanian. |
250 ## - EDITION STATEMENT | |
Edition statement | 2nd ed. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Place of publication, distribution, etc | New Delhi : |
Name of publisher, distributor, etc | Oxford University Press, |
Date of publication, distribution, etc | c2006, 2011. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | viii, 196 pages : |
Other physical details | illustrations ; |
Dimensions | 23 cm. |
505 ## - FORMATTED CONTENTS NOTE | |
Title | 1. Music comes to the city --<br/> |
-- | 2. Defining the classical : the nationalist imperative --<br/> |
-- | 3. Consolidating the classical : the Madras Music Academy and the politics of custodianship --<br/> |
-- | 4. On the margins of the classical : law, social reform, and the Devadasis in the Madras presidency --<br/> |
-- | 5. Contesting the classical : the Tamil Isai Iyakkam and the contest for custodianship. |
520 ## - SUMMARY, ETC. | |
Summary, etc | <br/>"In moving from the quiet courtyards of Tanjore to the concert halls of Madras, the social context of music and performance underwent a striking transformation. Traditional music was also used in the freedom movement as an emblem of India's uniqueness and independent identity. Departing from conventional scholarship on the subject, Lakshmi Subramnian presents a distinctive account of the making of a modern classical tradition." "Subramanian traces the changes in traditional music in south India as it adapted to the necessities of colonial and postcolonial social realities. Her engaging narrative of the production of knowledge about music and the related institution- building process raise larger questions of identify and imagination. She also discusses the influence of nationalism in the creation of an auditory habit."--Jacket. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Music Academy (Chennai, India) |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Music -- India -- Thanjāvūr (District) -- History and criticism. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Music -- India, South -- History and criticism. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Source of classification or shelving scheme | Dewey Decimal Classification |
Koha item type | General Books |
Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Home library | Location | Shelving location | Date of Cataloging | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
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Dewey Decimal Classification | Non-fiction | CUTN Central Library | CUTN Central Library | Arts & Sports | 11/01/2021 | 780.9548 SUB | 41330 | 11/01/2021 | 11/01/2021 | General Books |