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03732nam a22003617a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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CUTN |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20230510103553.0 |
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230510b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781350064928 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781350064911 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Cancelled/invalid ISBN |
9781350064935 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Cancelled/invalid ISBN |
9781350064942 |
| 041 ## - LANGUAGE CODE |
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| Language |
English |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
792.028 |
| Edition number |
23 |
| Item number |
GUT |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Gutekunst, Christina |
| 245 10 - TITLE STATEMENT |
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| Title |
Voice into acting : |
| Remainder of title |
integrating voice and the Stanislavski approach / |
| Statement of responsibility, etc |
Christina Gutekunst and John Gillett ; illustrations by Dany Heck. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
2nd ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc |
London : |
| Name of publisher, distributor, etc |
Methuen Drama, Bloomsbury Publishing, |
| Date of publication, distribution, etc |
2021. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xiii, 316 p. ; ill. |
| Other physical details |
pbk. |
| Dimensions |
25cm. |
| 500 ## - GENERAL NOTE |
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| General note |
Revised edition of Voice into Acting: integrating voice and the Stanislavski approach / Christina Gutekunst and John Gillet. 2013. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Contents |
Introduction<br/>Part I: Laying the Foundations<br/>1. The Organic Acting Approach and the Voice<br/>2. The Organic Acting Approach and the Brain<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Contents |
Part II: The Essential Vocal Six – And Integrating Acting into Voice<br/>3. Alignment: Backbone of the Action<br/>4. Breath: The Great Creative Connector<br/>5. Centred Onset of Sound: The Vocal Identity of the Actor<br/>6. Pitch Range: The Music of Meaning<br/>7. Resonance: Vibrating the Experience<br/>8. Articulation: Shaping Thought and Action<br/>Part III: Integrating Voice into the Organic Acting Process<br/>9. Interval: Receiving and Responding<br/>10. Awareness, Ease and Focus<br/>11: The Action: Given Circumstances, Interaction and Objectives<br/>12. Vocal Embodiment of Actions<br/>13. Seeing, Sensing and Feeling<br/>14. Character and Voice<br/>15. The Actor in the Space<br/>Part IV: Integrating Voice in Rehearsal and Performance: Putting It All Together<br/>16. Meeting the Play and the Character<br/>17. From Impulse to Action<br/>18. From Action to Form<br/>Conclusion |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc |
How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one?<br/><br/>Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors – the acting approach widely taught to actors in drama schools throughout the world.<br/><br/>This updated edition contains: a new chapter on vocal embodiment of actions, new findings from neuroscience supporting the approach, more exercises, warm-up routines for training, rehearsal and performance, and a completely new glossary of terms.<br/><br/>The authors create a step-by-step guide to explore how voice can:<br/><br/>- Respond to our thoughts, senses, feelings, imagination and will<br/>- Fully express language in content and form<br/>- Communicate imaginary circumstances and human experience<br/>- Transform to adapt to different roles<br/>- Connect to a variety of audiences and spaces<br/><br/>Featuring 55 illustrations by German artist, Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques or an alternative approach to harmonize with the actor's process. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Voice culture. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Elocution. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Method acting. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Gillett, John |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Heck, Dany. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
General Books |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Includes bibliographical references and index. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
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| Display text |
Online version: |
| Main entry heading |
Gillet, John, |
| Title |
Voice into acting |
| Edition |
Second edition. |
| Place, publisher, and date of publication |
London ; New York : Methuen Drama, 2021. |
| International Standard Book Number |
9781350064935 |
| Record control number |
(DLC) 2020038545 |
