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06381cam a2200433 i 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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CUTN |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20250328145920.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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170502t20172017enkab bf 001 0 eng c |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780198864011 |
| 041 ## - LANGUAGE CODE |
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| Language |
English |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
822.33 |
| Edition number |
23 |
| Item number |
BUL |
| 245 04 - TITLE STATEMENT |
|---|
| Title |
The Oxford handbook of Shakespeare and performance / |
| Statement of responsibility, etc |
edited by James C. Bulman. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
First edition. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Name of publisher, distributor, etc |
Oxford University Press, |
| Date of publication, distribution, etc |
2020. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xxvii, 669 pages : |
| Other physical details |
illustrations, map ; |
| Dimensions |
26 cm. |
| 500 ## - GENERAL NOTE |
|---|
| General note |
The series statement "Oxford handbooks to Shakespeare" taken from dust jacket. |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Title |
Table of Contents<br/>Introduction: Cross-Currents in Performance Criticism, James C. Bulman<br/>PART I: EXPERIMENTAL SHAKESPEARE<br/>1:Experimental Shakespeare, Susan Bennett<br/>2:Shakespeare and the Contemporary: Psychology, Culture, and Audience in Othello Production, Bridget Escolme<br/>3:'Deared by Being Lacked': The Realist Legacy and the Art of Failure in Shakespearean Performance, Roberta Barker<br/>4:Shakespeare for Dummies, or 'See the Puppets Dallying', Carol Chillington Rutter<br/>5:Not-Shakespeare and the Shakespearean Ghost, Peter Kirwan<br/>6:Shakespeare's Property Ladder: Women Directors and the Politics of 'Ownership', Kim Solga<br/>7:Dialectical Shakespeare: Pedagogy in Performance, Andrew James Hartley<br/>8:Captive Shakespeare, Ton Hoensalaars<br/>PART II: RECEPTION<br/>9:(How) Should We Listen to Audiences? Race, Reception, and the Audience Survey, Ayanna Thompson<br/>10:Forgetting Performance, Peter Holland<br/>11:Documenting the Demotic: Actor Blogs and the Guts of the Opera Singer, Cary M. Mazer<br/>12:The Time is Out of Joint: Shakespeare, Jet Lag, and the Rhythms of Performance, Robert Shaughnessy<br/>13:Archives and Anecdotes, Paul Menzer<br/>14:Reveries of a Shakespearean Walker, Robert Conkie<br/>15:Intimate and Epic Macbeths in Contemporary Performance, Katherine Prince<br/>PART III: MEDIA AND TECHNOLOGY<br/>16:High Tech Shakespeare in a Mediatized Globe: Ivo van Hove's Roman Tragedies and the Problem of Spectatorship, Thomas Cartelli<br/>17:'It's All a Bit of a Risk': Reformulating 'Liveness' in Twenty-First Century Performances of Shakespeare, Stephen Purcell<br/>18:Technology and the Ethics of Spectatorship, Pascale Aebischer<br/>19:Shakespearean Technicity, W. B. Worthen<br/>20:Performance in Digital Editions of Shakespeare, Sarah Werner<br/>21:Shakespeare's Rebirth: Performance in Music, Dance, Theatre, and Cinema in the Age of Electro-Digital Reproduction, Anthony R. Guneratne<br/>22:Making 'Music at the Editing Table': Echoing Verdi in Welles' Othello, Scott Newstok<br/>23:'Nobody's Perfect': Cross-Dressing and Gender-Bending in Sven Gade's Hamlet and Julie Taymor's Tempest, Samuel Crowl<br/>24:Can the Subaltern Sing? Liz White's Othello, Courtney Lehmann<br/>PART IV: GLOBAL SHAKESPEARE<br/>25:Global Shakespeare Criticism beyond the Nation-State, Alexa Alice Joubin<br/>26:Global Shakespeare and Globalized Performance, Dennis Kennedy<br/>27:Performance, Presence, and Personal Responsibility: Witnessing Global Theatre in and around the Globe, Christie Carson<br/>28:Shakespeare with and without its Language, Sonia Massai<br/>29:Slapstick against Stereotypes in South Sudan's Cymbeline, Rose Elfman<br/>30:Open and Closed: Workshopping Shakespeare in South Africa, Colette Gordon<br/>31:Indigenizing Shakespeare in South Africa, Adele Seeff<br/>32:'Victim of Improvisation' in Latin America: Shakespeare Out-sourced and In-taken, Alfredo Michel Modenessi<br/>33:Global Cultural Tourism at Canada's Stratford Festival: The Adventures of Pericles, Robert Ormsby<br/>34:Verbal and Visual Representations in Modern Japanese Shakespeare Productions, Michiko Suematsu<br/>35:There Is a World Elsewhere: Shakespeare on the Chinese Stage, Li Ruru<br/>36:Translating Performance: the Asian Shakespeare Intercultural Archive, Yong Li Lan |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
The Oxford Handbooks to Shakespeare are designed to record past and present investigations and renewed and revised judgments by both familiar and younger Shakespeare specialists. Each of these volumes is edited by one or more internationally distinguished Shakespeareans; together, they comprehensively survey the entire field.<br/><br/>Shakespearean performance criticism has firmly established itself as a discipline accessible to scholars and general readers alike. And just as performances of the plays expand audiences' understanding of how Shakespeare speaks to them, so performance criticism is continually shifting the contours of the discipline. The 36 contributions in this volume represent the most current approaches to Shakespeare in performance. They are divided into four parts. Part I explores how experimental modes of performance ensure Shakespeare's contemporaneity. Part II tackles the burgeoning field of reception: how and why audiences respond to performances as they do. Part III addresses the ways in which technology has revolutionized our access to Shakespeare, both through the mediums of film and sound recording and through digitalization. Part IV grapples with 'global' Shakespeare, considering matters of cultural appropriation in productions played for international audiences. Together, these ground-breaking essays attest to the richness and diversity of Shakespearean performance criticism as it is practiced today |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Theater. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Bulman, James C., |
| 856 41 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="http://dx.doi.org/10.1093/oxfordhb/9780199687169.001.0001">http://dx.doi.org/10.1093/oxfordhb/9780199687169.001.0001</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
General Books |
| 246 30 - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
Shakespeare and performance |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Oxford handbooks |
| 490 0# - SERIES STATEMENT |
|---|
| Series statement |
Oxford handbooks to Shakespeare |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references and index. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Shakespeare, William, |
| Dates associated with a name |
1564-1616 |
| General subdivision |
Dramatic production |
| Form subdivision |
Handbooks, manuals, etc. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Shakespeare, William, |
| Dates associated with a name |
1564-1616 |
| General subdivision |
Criticism and interpretation. |
| 600 17 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Shakespeare, William, |
| Dates associated with a name |
1564-1616 |
| Source of heading or term |
fast |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Source of heading or term |
fast |
| 9 (RLIN) |
4 |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Criticism, interpretation, etc. |
| Source of term |
fast |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Handbooks and manuals. |
| Source of term |
fast |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Dates associated with a name |
1947- |
| Relator term |
editor. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Oxford handbooks. |
| 856 41 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Public note |
Available to Stanford-affiliated users. |
| Link text |
Oxford Handbooks Online |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
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7 |
| b |
cbc |
| c |
pccadap |
| d |
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ncip |
| f |
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| g |
y-gencatlg |
