Techniques of Sitār : The prince among all Musical Instruments of India / S. Bandyopadhyaya
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- 8170184622
- 787.67 23 BAN
Item type | Current library | Collection | Call number | Status | Date due | Barcode |
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CUTN Central Library Arts & Sports | Non-fiction | 787.67 BAN (Browse shelf(Opens below)) | Available | 41222 |
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787.1954 DIV Rudra Veena : | 787.2092 LAL Violin maestro V. Lakshminarayana Iyer : | 787.219 AYY The Art and Technique of Violin Play Other Essays on Music/ | 787.67 BAN Techniques of Sitār : | 787.67 SLA Sitar technique in Nibaddh forms / | 787.82 DEE Exuberance of Indian music : | 787.82 GHO The origin and development of the sarod : |
Includes music in letter notation
Passages in Sanskrit
Part I. Exordium Introduction Origin of sitā Terms of sitār Techniques and practice Maseet Khāni Bāj or Delhi Bāj
Part II. Exordium Historical background of music History of instruments of music Notes Rāg Bhoopāli Reza Khāni Rāgs and rhythms
Part III. Exordium Indian music Ancient terms of music Function of fingers Purpose and utility of the process Rāg in various forms.
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