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The Cambridge introduction to Victorian poetry / Linda K. Hughes.

By: Material type: TextTextSeries: Cambridge introductions to literaturePublication details: Cambridge ; New York, N.Y. : Cambridge University Press, 2010.Description: xv, 324 p. : ill. ; 24 cmISBN:
  • 9780521856249 (hbk.)
  • 0521856248 (hbk.)
  • 9780521672245 (pnk.)
  • 0521672244 (pbk.)
Subject(s): DDC classification:
  • 821/.809 22
LOC classification:
  • PR591 .H84 2010
Online resources:
Contents:
The forms of Victorian poetry. Victorian experimentalism ; Victorian dialogues with poetic tradition ; The impress of print : poems, periodicals, novels -- The rhetoric of Victorian poetry. Poetry, technology, science ; Poetry and religion ; Poetry and the heart's affections ; Poetry and empire ; Poetic liberties ; Resisting rhetoric : art for art's sake -- Coda : close readings. Elizabeth Barrett Browning, Aurora Leigh ; Ernest Dowson, "Vitae summa brevis spem nos vetat incohare longam" and Thomas Hardy, "Friends beyond."
Summary: "Victorian poetry was read and enjoyed by a much larger audience than is sometimes thought. Publication in widely-circulating periodicals, reprinting in book reviews, and excerpting in novels and essays ensured that major poets such as Tennyson, Browning, Hardy and Rossetti were household names, and they remain popular today. The Cambridge Introduction to Victorian Poetry provides an accessible overview of British poetry from 1830 to 1901, paying particular attention to its role in mass media print culture. Designed to interest both students and scholars, the book traces lively dialogues between poets and explains poets' choices of form, style and language. It also demonstrates poetry's relevance to Victorian debates on science, social justice, religion, imperialism, and art. Featuring a glossary of literary terms, a guide to further reading, and two examples of close readings of Victorian poems, this introduction is the ideal starting-point for the study of verse in the nineteenth century"--Provided by publisher.Summary: "The Introduction maps formal practices and a series of social debates within which poems, both canonical and lesser-known, jostled against, answered, and challenged each other for aesthetic and cultural pre-eminence. It is a less tidy, occasionally even more discordant account of poetry than is found in some literary histories but is meant to highlight the liveliness"--Provided by publisher.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
General Books General Books CUTN Central Library Literature 821/.809 (Browse shelf(Opens below)) 1 Available 3760

Includes bibliographical references and index.

The forms of Victorian poetry. Victorian experimentalism ; Victorian dialogues with poetic tradition ; The impress of print : poems, periodicals, novels -- The rhetoric of Victorian poetry. Poetry, technology, science ; Poetry and religion ; Poetry and the heart's affections ; Poetry and empire ; Poetic liberties ; Resisting rhetoric : art for art's sake -- Coda : close readings. Elizabeth Barrett Browning, Aurora Leigh ; Ernest Dowson, "Vitae summa brevis spem nos vetat incohare longam" and Thomas Hardy, "Friends beyond."

"Victorian poetry was read and enjoyed by a much larger audience than is sometimes thought. Publication in widely-circulating periodicals, reprinting in book reviews, and excerpting in novels and essays ensured that major poets such as Tennyson, Browning, Hardy and Rossetti were household names, and they remain popular today. The Cambridge Introduction to Victorian Poetry provides an accessible overview of British poetry from 1830 to 1901, paying particular attention to its role in mass media print culture. Designed to interest both students and scholars, the book traces lively dialogues between poets and explains poets' choices of form, style and language. It also demonstrates poetry's relevance to Victorian debates on science, social justice, religion, imperialism, and art. Featuring a glossary of literary terms, a guide to further reading, and two examples of close readings of Victorian poems, this introduction is the ideal starting-point for the study of verse in the nineteenth century"--Provided by publisher.

"The Introduction maps formal practices and a series of social debates within which poems, both canonical and lesser-known, jostled against, answered, and challenged each other for aesthetic and cultural pre-eminence. It is a less tidy, occasionally even more discordant account of poetry than is found in some literary histories but is meant to highlight the liveliness"--Provided by publisher.

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