Photography, anthropology, and history : Expanding the frame / Christopher A. Morton & Elizabeth Edwards

By:

Morton, Christopher

Contributor(s):

Edwards, Elizabeth

Material type: Text

TextLanguage: English Publication details: London : Taylor & Francis Books, r 2022.Edition: 1st edDescription: xviii, 290 p.: illustrations; 15.6 x 23.4 x 2.54 cmISBN:

9781032353562

Subject(s):

Archéologie Technique and Fotografi historia

DDC classification:

22 306.4 MOR

Contents:

Introduction PART I Historicizing Visual Anthropology 1 'Distempered Daubs' and Encyclopaedic World Maps: The Ethnographic Significance of Panoramas and Mappaemundi 2 Anthropology and the Cinematic Imagination PART II Institutional Structures 3 Salvaging Our Past: Photography and Survival 4 Frozen Poses: Hamat'sa Dioramas, Recursive Representation, and the Making of a Kwakwaka'wakw Icon Part III Fieldwork. 5 The Initiation of Kamanga: Visuality and Textuality in Evans-Pritchard's Zande Ethnography 6 'For Scientific Purposes a Stand Camera is Essential': Salvaging Photographic Histories in Papua 7 Visual Methods in Early Japanese Anthropology: Torii Ryuzo in Taiwan 8 Theodor Koch-Grunberg and Visual Anthropology in Early Twentieth-Century German Anthropology PART IV Indigenous Histories 9 Faletau's Photocopy, or the Mutability of Visual History in Roviana 10 John Layard long Malakula 1914-1915: The Potency of Field Photography. 11 'Just by Bringing These Photographs ... ': On the Other Meanings of Anthropological Images

Summary: As current research rethinks the relationship between photography and anthropology, this volume will serve as a stimulus to this new phase of research as an essential text and methodological reference point in any course that addresses the relationship between anthropology and visuality

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
General Books	CUTN Central Library Social Sciences	Non-fiction	306.4 MOR (Browse shelf(Opens below))	Available		47137

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Introduction
PART I Historicizing Visual Anthropology
1 'Distempered Daubs' and Encyclopaedic World Maps: The Ethnographic Significance of Panoramas and Mappaemundi
2 Anthropology and the Cinematic Imagination
PART II Institutional Structures
3 Salvaging Our Past: Photography and Survival
4 Frozen Poses: Hamat'sa Dioramas, Recursive Representation, and the Making of a Kwakwaka'wakw Icon
Part III Fieldwork.
5 The Initiation of Kamanga: Visuality and Textuality in Evans-Pritchard's Zande Ethnography
6 'For Scientific Purposes a Stand Camera is Essential': Salvaging Photographic Histories in Papua
7 Visual Methods in Early Japanese Anthropology: Torii Ryuzo in Taiwan
8 Theodor Koch-Grunberg and Visual Anthropology in Early Twentieth-Century German Anthropology
PART IV Indigenous Histories
9 Faletau's Photocopy, or the Mutability of Visual History in Roviana
10 John Layard long Malakula 1914-1915: The Potency of Field Photography.
11 'Just by Bringing These Photographs ... ':
On the Other Meanings of Anthropological Images

As current research rethinks the relationship between photography and anthropology, this volume will serve as a stimulus to this new phase of research as an essential text and methodological reference point in any course that addresses the relationship between anthropology and visuality

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