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The networked image in post-digital culture / edited by Andrew Dewdney and Katrina Sluis.

Contributor(s): Material type: TextTextLanguage: English Publication details: Abingdon, Oxon : Routledge, 2023.Description: pages cmISBN:
  • 9780367550585
  • 9780367557560
Subject(s): Additional physical formats: Online version:: Networked image in post-digital culture.DDC classification:
  • 621.382 23/eng/20220316 DEW
Partial contents:
The politics of the networked image : representation and reproduction / Andrew Dewdney -- The networked image after Web 2.0 : Flickr and the 'real world' photography of the dataset / Katrina Sluis -- Post-capitalist photography / Ben Burbridge -- The computer vision lab : the epistemic configuration of machine vision / Nicolas Malevé -- Ways of machine seeing as a problem of invisual literacy / Geoff Cox -- Soft subjects : hybrid labour in media software / Alan Warburton -- The paradoxes of curating the networked image : aesthetic currents, flows and flaws / Gaia Tedone -- Internet liveness and the art museum / Ionna Zouli -- Screenshot situations : imaginary realities of networked images / Magda Tyżlik-Carver -- Networks of care / Annet Dekker -- Beyond the screenshot : interface design and data protocols in the net art archive / Lozana Rossenova.
Summary: "This collection approaches the task of accounting for the networked image from the perspective of cultural practitioners engaged in making, curating, teaching, exhibiting, archiving, and preserving born digital objects. The volume signals a passage of time, from the digital to networked image and a corresponding cultural shift from the digital to the post-digital. It seeks to make sense of specific cultural consequences of this rapid succession of technological changes and bring the story up to date. The outcome of ten years of ground-breaking research at The Centre for the Study of the Networked Image (CSNI) in London, it investigates radical changes in the meanings and values of hybridized media in socio-technical networks and speaks to the creeping automation of culture through applications of AI, social media platforms and the financialization of data. It raises critical questions about the Internet's relationship to computational capitalism and its new forms of digital labour. Contributions cross the disciplines of media and cultural studies, art history, art practice, photographic theory, User design, animation, museology, and computer science. Using research-based practices at the forefront of determining how cultural value is communicated and shared in online cultures - the book will appeal to anyone interested and engaged in critical practice"--
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Holdings
Item type Current library Collection Call number Status Barcode
General Books General Books CUTN Central Library Medicine, Technology & Management Non-fiction 621.382 DEW (Browse shelf(Opens below)) Available 50364

Includes bibliographical references and index.

The politics of the networked image : representation and reproduction / Andrew Dewdney -- The networked image after Web 2.0 : Flickr and the 'real world' photography of the dataset / Katrina Sluis -- Post-capitalist photography / Ben Burbridge -- The computer vision lab : the epistemic configuration of machine vision / Nicolas Malevé -- Ways of machine seeing as a problem of invisual literacy / Geoff Cox -- Soft subjects : hybrid labour in media software / Alan Warburton -- The paradoxes of curating the networked image : aesthetic currents, flows and flaws / Gaia Tedone -- Internet liveness and the art museum / Ionna Zouli -- Screenshot situations : imaginary realities of networked images / Magda Tyżlik-Carver -- Networks of care / Annet Dekker -- Beyond the screenshot : interface design and data protocols in the net art archive / Lozana Rossenova.

"This collection approaches the task of accounting for the networked image from the perspective of cultural practitioners engaged in making, curating, teaching, exhibiting, archiving, and preserving born digital objects. The volume signals a passage of time, from the digital to networked image and a corresponding cultural shift from the digital to the post-digital. It seeks to make sense of specific cultural consequences of this rapid succession of technological changes and bring the story up to date. The outcome of ten years of ground-breaking research at The Centre for the Study of the Networked Image (CSNI) in London, it investigates radical changes in the meanings and values of hybridized media in socio-technical networks and speaks to the creeping automation of culture through applications of AI, social media platforms and the financialization of data. It raises critical questions about the Internet's relationship to computational capitalism and its new forms of digital labour. Contributions cross the disciplines of media and cultural studies, art history, art practice, photographic theory, User design, animation, museology, and computer science. Using research-based practices at the forefront of determining how cultural value is communicated and shared in online cultures - the book will appeal to anyone interested and engaged in critical practice"--

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