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Creating TV formats from inception to pitch / Catriona Miller, Hazel Marshall and Linda Green.

By: Contributor(s): Material type: TextLanguage: English Publication details: London : Routledge Taylor and Francis Group, 2023.Description: xi,136 pages : illISBN:
  • 9781000805048
  • 1000805042
  • 9781003050650
  • 1003050654
  • 9781000805147
  • 100080514X
Subject(s): DDC classification:
  • 791.457 23 MIL
Online resources:
Contents:
Cover Half Title Title Page Copyright Page Dedication Table of Contents Illustrations Preface Acknowledgements 1 What Is a Format? Going in Circles? Why Do Formats Matter? What Is a Format?: Three Paradoxes A Good Story Exercise: Getting Your Eye In References 2 Be Creative What Is Creativity? Getting to Know You: Some Insights From Jungian Psychology The Conscious and Jungian Typology The Jungian Unconscious But What About the Brain? Being Creative? Exercise: Flipping Modes References 3 Do Creative Creativity as a Process: Some Background Prepare Play Participate Identify the Purpose the Big TEASER TE: Topics Or Trends Into Emotions A: Access S: Success E: Extremes R: Real Life Exercise: Practice Makes Perfect Get Picky References 4 Shape It Story Shapes Popular Format Story Shapes: The Three "Cs" Competition Formats Change Formats Choice Formats And Then There Was One.. Exercise: Start at the End Building the Contours Exercise: Where in the World? But You Do Make the Rules Exercise: Who's in Control? Story Dispensing Exercise: What Is the Trajectory? Back Round Again Exercise: Yes, But What Is It Really About? References 5 Build It Format Points Exercise: Stepping-Stones A Class Act Exercise: Act Up Keep the Beat Exercise: Finding the Beat Challenge It! Exercise: Set the Challenge/Get the Emotion A High-Wire Act Exercise: Take the Strain The Pot of Gold References 6 Design It Exercise: Getting Your Eye In (Again) Where in the World? Exercise: How Special Is "Special"? Sensible Advice Setting the Right Tone Exercise: Striking the Right Note Good Value(s) Exercise: Set the Code Bringing It All Together: Mise-En-Scène Exercise: Detail It and Style It Out It's the One Where.. Exercise: The One and Only Move Away From the Obvious? Exercise: Change Your Tune? References 7 Populate It What Is a Character? Story World Participant Roles Exercise: Hero of the Hour? The Antagonist Exercise: Opposing Forces? The Companion (Dispatcher/Helper/Mentor/Changemaker) Exercise: Three and Three Format Participant Roles Exercise: Who Is Invited? Exercise: A Class Act Casting Finding Motivation Exercise: What's My Motivation? Note References 8 Drive It Driving Yourself Exercise: Know Your Drivers An Ideas Team Is Your Ideas Team "Just Right"? Exercise: Team Goldilocks Is Your Creative Climate Right for Ideas to Flourish? Driving Others to Believe in You Exercise: IWISHU Driving Others to Give You Feedback Exercise: Staying Positive Driving Others to Buy Your Format: Pitching! Different Forms of Pitches Pitch Content Bringing It Together and Keeping It Simple
Summary: Creating TV Formats: From Inception to Pitch takes the reader through a step-by-step process of how to generate ideas, develop story lines and characters and hook an audience, whilst staying aware of the realities of the media landscape. Beginning with a discussion about what a TV format is, each chapter then introduces a key aspect of the development process, such as looking for ideas, shaping the underlying story and thinking about participants. Practical exercises guide the reader through each stage of turning an initial idea or subject matter into a hook or insight; the importance of incorporating storytelling principles and techniques for designing and populating a story world. Examples from successful television formats such as First Dates and The Great British Bake Off are interwoven throughout the book alongside exclusive insights from the key industry professionals who brought them to the screen. From short-form digital content to longer unscripted series, this is an essential guide to discovering and developing formats for any media or television production student or early career development professional.
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Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
General Books CUTN Central Library Arts & Sports Non-fiction 791.457 MIL (Browse shelf(Opens below)) Available 54655


Cover
Half Title
Title Page
Copyright Page
Dedication
Table of Contents
Illustrations
Preface
Acknowledgements
1 What Is a Format?
Going in Circles?
Why Do Formats Matter?
What Is a Format?: Three Paradoxes
A Good Story
Exercise: Getting Your Eye In
References
2 Be Creative
What Is Creativity?
Getting to Know You: Some Insights From Jungian Psychology
The Conscious and Jungian Typology
The Jungian Unconscious
But What About the Brain?
Being Creative?
Exercise: Flipping Modes
References
3 Do Creative Creativity as a Process: Some Background
Prepare
Play
Participate
Identify the Purpose
the Big TEASER
TE: Topics Or Trends Into Emotions
A: Access
S: Success
E: Extremes
R: Real Life
Exercise: Practice Makes Perfect
Get Picky
References
4 Shape It
Story Shapes
Popular Format Story Shapes: The Three "Cs"
Competition Formats
Change Formats
Choice Formats
And Then There Was One..
Exercise: Start at the End
Building the Contours
Exercise: Where in the World?
But You Do Make the Rules
Exercise: Who's in Control? Story Dispensing
Exercise: What Is the Trajectory?
Back Round Again
Exercise: Yes, But What Is It Really About?
References
5 Build It
Format Points
Exercise: Stepping-Stones
A Class Act
Exercise: Act Up
Keep the Beat
Exercise: Finding the Beat
Challenge It!
Exercise: Set the Challenge/Get the Emotion
A High-Wire Act
Exercise: Take the Strain
The Pot of Gold
References
6 Design It
Exercise: Getting Your Eye In (Again)
Where in the World?
Exercise: How Special Is "Special"?
Sensible Advice
Setting the Right Tone Exercise: Striking the Right Note
Good Value(s)
Exercise: Set the Code
Bringing It All Together: Mise-En-Scène
Exercise: Detail It and Style It Out
It's the One Where..
Exercise: The One and Only
Move Away From the Obvious?
Exercise: Change Your Tune?
References
7 Populate It
What Is a Character?
Story World Participant Roles
Exercise: Hero of the Hour?
The Antagonist
Exercise: Opposing Forces?
The Companion (Dispatcher/Helper/Mentor/Changemaker)
Exercise: Three and Three
Format Participant Roles
Exercise: Who Is Invited? Exercise: A Class Act
Casting
Finding Motivation
Exercise: What's My Motivation?
Note
References
8 Drive It
Driving Yourself
Exercise: Know Your Drivers
An Ideas Team
Is Your Ideas Team "Just Right"?
Exercise: Team Goldilocks
Is Your Creative Climate Right for Ideas to Flourish?
Driving Others to Believe in You
Exercise: IWISHU
Driving Others to Give You Feedback
Exercise: Staying Positive
Driving Others to Buy Your Format: Pitching!
Different Forms of Pitches
Pitch Content
Bringing It Together and Keeping It Simple

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Creating TV Formats: From Inception to Pitch takes the reader through a step-by-step process of how to generate ideas, develop story lines and characters and hook an audience, whilst staying aware of the realities of the media landscape. Beginning with a discussion about what a TV format is, each chapter then introduces a key aspect of the development process, such as looking for ideas, shaping the underlying story and thinking about participants. Practical exercises guide the reader through each stage of turning an initial idea or subject matter into a hook or insight; the importance of incorporating storytelling principles and techniques for designing and populating a story world. Examples from successful television formats such as First Dates and The Great British Bake Off are interwoven throughout the book alongside exclusive insights from the key industry professionals who brought them to the screen. From short-form digital content to longer unscripted series, this is an essential guide to discovering and developing formats for any media or television production student or early career development professional.

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