Charles Dickens in cyberspace : the afterlife of the nineteenth century in postmodern culture / Jay Clayton.
Material type: TextPublication details: New York : Oxford University Press, 2003.Description: x, 270 p. : ill. ; 25 cmISBN:- 0195160517 (alk. paper)
- Dickens, Charles, 1812-1870 -- Appreciation -- United States
- English literature -- 19th century -- History and criticism -- Theory, etc
- Criticism -- United States -- History -- 20th century
- English literature -- Appreciation -- United States
- Postmodernism (Literature) -- United States
- Literature and science -- United States
- Literature and science -- Great Britain
- Romanticism -- Great Britain
- United States -- Civilization -- British influences
- United States -- Civilization -- 20th century
- Great Britain -- Civilization -- 19th century
- PR451 .C58 2003
Item type | Current library | Call number | Copy number | Status | Date due | Barcode |
---|---|---|---|---|---|---|
General Books | CUTN Central Library Literature | 823.8 (Browse shelf(Opens below)) | 1 | Available | 9235 |
Includes bibliographical references (p. 237-258) and index.
"In Charles Dickens in Cyberspace nineteenth-century figures - Jane Austen, Charles Darwin, Charles Dickens, Thomas Hardy, Henry James, Ada Lovelace, Joseph Paxton, Mary Shelley, and Mary Somerville - meet a lively group of counterparts from today: Andrea Barrett, Greg Bear, Peter Carey, Helene Cixous, Alfonso Cuaron, William Gibson, Donna Haraway, David Lean, Richard Powers, Salman Rushdie, Ridley Scott, Susan Sontag, Neal Stephenson, Bruce Sterling, and Tom Stoppard. The juxtaposition of such a diverse cast of characters leads to a new way of understanding the "undisciplined culture" the two eras share, an understanding that can suggest ways to heal the gap that has long separated literature from science." "Combining storytelling and scholarship, this engaging study demonstrates in its own practice the value of a self-reflective stance toward cultural history. Its personal voice, narrative strategies, multiple points of view, recursive loops, and irony emphasize the improvisational nature of the methods it employs. Yet its argument is serious and urgent: that the afterlife of the nineteenth century continues to shape the present in diverse and sometimes conflicting ways."--BOOK JACKET.
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