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Joseph Conrad and the reader : questioning modern theories of narrative and readership / Amar Acheraïou.

By: Material type: TextTextPublication details: Basingstoke : Palgrave Macmillan, c2009.Description: x, 233 p. ; 23 cmISBN:
  • 9780230228115 (hbk.) :
  • 0230228119 (hbk.) :
Subject(s): DDC classification:
  • 823.912 22
LOC classification:
  • PR6005.O4 Z54394 2009
Contents:
Machine generated contents note: List of Abbreviations Acknowledgements Introduction PART I: THEORETICAL PERSPECTIVES Conrad's Conception of Authorship: Probing the Implications and Limits of the Death-of-the-author Theory PART II: RECEPTION THEORY: READING AS A CULTURAL AND IDEOLOGICAL CONSTRUCT Polish Responses: Art and the Ethics of Collectivity British Reception: Englishness and the Act of Reading PART III: AESTHETIC RAMIFICATIONS, NARRATIVE ENTANGLEMENTS & FICTIONAL READERS Conrad's Visual Aesthetics: Classical and Modern ConnectionsA Cartography of Conrad's Fictional Readers: Reading Hierarchy in Lord Jim, 'Heart of Darkness', Nostromo and Victory Narrative Solidarity and Competition for Truth and SignificationConrad and the Construction of the Reader: Tension between Democratic Vision and Aristocratic LeaningNarrative Self-Consciousness and the Act of Reading: Examining Under Western Eyes through the Lens of Fielding's, Sterne's and Diderot's PoeticsConclusionNotesWorks CitedIndex.
Summary: "Joseph Conrad and the Reader is the first book fully devoted to Conrad's relation to the reader, visual theory and authorship. This challenging study proposes new approaches to modern literary criticism and deftly examines the limits of deconstructionist theories, introducing groundbreaking new theoretical concepts of reading and reception"--Provided by publisher.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
General Books General Books CUTN Central Library Literature 823.912 (Browse shelf(Opens below)) 1 Available 7366

Formerly CIP. Uk

Includes bibliographical references and indexes.

Machine generated contents note: List of Abbreviations Acknowledgements Introduction PART I: THEORETICAL PERSPECTIVES Conrad's Conception of Authorship: Probing the Implications and Limits of the Death-of-the-author Theory PART II: RECEPTION THEORY: READING AS A CULTURAL AND IDEOLOGICAL CONSTRUCT Polish Responses: Art and the Ethics of Collectivity British Reception: Englishness and the Act of Reading PART III: AESTHETIC RAMIFICATIONS, NARRATIVE ENTANGLEMENTS & FICTIONAL READERS Conrad's Visual Aesthetics: Classical and Modern ConnectionsA Cartography of Conrad's Fictional Readers: Reading Hierarchy in Lord Jim, 'Heart of Darkness', Nostromo and Victory Narrative Solidarity and Competition for Truth and SignificationConrad and the Construction of the Reader: Tension between Democratic Vision and Aristocratic LeaningNarrative Self-Consciousness and the Act of Reading: Examining Under Western Eyes through the Lens of Fielding's, Sterne's and Diderot's PoeticsConclusionNotesWorks CitedIndex.

"Joseph Conrad and the Reader is the first book fully devoted to Conrad's relation to the reader, visual theory and authorship. This challenging study proposes new approaches to modern literary criticism and deftly examines the limits of deconstructionist theories, introducing groundbreaking new theoretical concepts of reading and reception"--Provided by publisher.

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