Feeling pleasures : the sense of touch in Renaissance England / Joe Moshenska.

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Material type: Text

TextLanguage: English Publication details: Oxford : Oxford University Press, 2017.Edition: 1st edDescription: x, 389 pages : illustrations (black and white) ; 24 cmISBN:

9780198712947
9780198807193 (pb)

Subject(s):

DDC classification:

821.309353 23 MOS

Contents:

1. Introduction: Touching the past -- 2. 'A sensible touching, feeling and groping': metaphor and sensory experience in the English reformation -- 3. 'The lightest and the largest term': Lancelot Andrewes and the variousness of touch -- 4. 'Attactu Nullo': touching the Gods, from Lucretius to Shakespeare -- 5. 'Feeling pleasures': allegory and intimacy in The faerie queene -- 6. Touching the beautiful: the feeling of artworks in the European Renaissance -- 7. 'A sorrow, soft and agreeable': philosophies of tickling -- 8. 'Everywhere environ'd, and incessantly touch'd': natural philosophies of feeling in seventeenth-century England -- 9. 'Transported touch': the experience of feeling in Paradise lost -- 10. 'Like rain falling on sand or hair dip'd in water': metaphor and the Chinese art of feeling --

Summary: The sense of touch had a deeply uncertain status in the sixteenth and seventeenth centuries. It had long been seen as the most certain and reliable of the senses, and also as biologically necessary: each of the other senses could be relinquished, but to lose touch was to lose life itself. Alternatively, touch was seen as dangerously bodily, and too fully involved in sensual and sexual pleasures, to be of true worth. This book argues that this tension came to the fore during the English Renaissance, and allowed some of the central debates of this period-surrounding the nature of human experience, of the material world, and of the relationship between the human and the divine-to proceed through discussions of touch. It also argues that the unstable status of touch was of particular import to the poetry of this period. By bringing touch to the fore in a period usually associated with the dominance of vision and optics, Joe Moshenska offers reconsiderations of major English poets, especially Edmund Spenser and John Milton, while exploring a range of spheres in which touch assumed new significance. These include theological debates surrounding relics and the Eucharist in the work of Erasmus, Thomas Cranmer and Lancelot Andrewes; the philosophical history of tickling; the touching of paintings and sculptures in a European context; faith healing and experimental science; and the early reception of Chinese medicine in England.

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
General Books	CUTN Central Library Literature	Fiction	821.309353 MOS (Browse shelf(Opens below))	Available		42213

Paperback reprint. Originally published: 2014.

1. Introduction: Touching the past --
2. 'A sensible touching, feeling and groping': metaphor and sensory experience in the English reformation --
3. 'The lightest and the largest term': Lancelot Andrewes and the variousness of touch --
4. 'Attactu Nullo': touching the Gods, from Lucretius to Shakespeare --
5. 'Feeling pleasures': allegory and intimacy in The faerie queene --
6. Touching the beautiful: the feeling of artworks in the European Renaissance --
7. 'A sorrow, soft and agreeable': philosophies of tickling --
8. 'Everywhere environ'd, and incessantly touch'd': natural philosophies of feeling in seventeenth-century England --
9. 'Transported touch': the experience of feeling in Paradise lost --
10. 'Like rain falling on sand or hair dip'd in water': metaphor and the Chinese art of feeling --

The sense of touch had a deeply uncertain status in the sixteenth and seventeenth centuries. It had long been seen as the most certain and reliable of the senses, and also as biologically necessary: each of the other senses could be relinquished, but to lose touch was to lose life itself. Alternatively, touch was seen as dangerously bodily, and too fully involved in sensual and sexual pleasures, to be of true worth. This book argues that this tension came to the fore during the English Renaissance, and allowed some of the central debates of this period-surrounding the nature of human experience, of the material world, and of the relationship between the human and the divine-to proceed through discussions of touch. It also argues that the unstable status of touch was of particular import to the poetry of this period. By bringing touch to the fore in a period usually associated with the dominance of vision and optics, Joe Moshenska offers reconsiderations of major English poets, especially Edmund Spenser and John Milton, while exploring a range of spheres in which touch assumed new significance. These include theological debates surrounding relics and the Eucharist in the work of Erasmus, Thomas Cranmer and Lancelot Andrewes; the philosophical history of tickling; the touching of paintings and sculptures in a European context; faith healing and experimental science; and the early reception of Chinese medicine in England.

Includes bibliographical references and index.

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